The Angel of Death: Analyzing Departures from the Chronic Mode of Suffering in David Wojnarowicz’s Close to the Knives

Essay by Audrey Castillo Art by Aiza Bragg Close to the Knives by David Wojnarowicz is an example of “AIDS literature” (Bradway 256) that traverses the queer consciousness during the American AIDS epidemic. It contains the disembodied voices of a population neglected by its government and murdered through the “internaliz[ation of] society’s hate” (Wojnarowicz 179).

In Variation

Poem by Dax Avery Hamouth Art by Amy Ng in twists and knotsthe willow treebirthsa sighstretched out into eternity: biological processesmimicked overandover,named Miracle,dressed in red twine bindings, and cell tide mindings; fingers crossingcaught boundin incorrection to one letter wrong skin stretches overmuscle and fat:canvas over easel wood– am Ipainted wrong?  details of my geometryclashing with tastesof different

at the bus stop, a tired boy speaks to death

Poem by Kayla Wilford Art by Karen Zhang the boy is barely a man, black clothes veiling frail bonesand a victorian disposition under moonlight and mist.he sits on a sad corner street under neon lightand butchers meat and wonders where to go. but the concrete is cold, frozen feet tucked underthe dim gold of bus

Bittersweet Corners

Prose by Samhita Shanker Art by Luiza Ortiz “Are you ready? We can’t be late for our anniversary!” “Two minutes!” Dilip calls, pushing through loose coins and memories in his closet searching for his cufflinks. His fingers brush aside some dust and instead, find gold glittering in the corner. He reaches in, clasping an errant

“How vain, without the merit, is the name”: Proper Name Usage Invoking Asian Diaspora in Souvankham Thammavongsa’s How To Pronounce Knife

Essay by Aimee Koristka Art by Amy Ng Proper name usage—both in literature and in real life—creates a clear sense of identity for an individual, allowing for distinct separation from one person and another. They are the manner by which an individual is known. Hence, “[p]roper names can be considered as an interface between individuals

Collage

by Elise Juncker Artist Statement Parts of this piece are strangely menacing to me. The man in the bunny costume invokes an almost forgotten childhood horror. But what we once found strange or menacing, may now just be a part of life. This collage is scrapped together from both the actual content, but also the

The Persistence of Renaissance Tropes in Literary Representations of Africa and Africans throughout the Eighteenth-Century: An Analysis of Aphra Behn’s Oroonoko and Mungo Park’s Travels in the Interior of Africa

Essay by Dan Miller Art by Luiza Ortiz Africa and Africans have long been the recipients of the West’s (1) collective imaginings. In literature, the geography and the populus of Africa have served as provocative Others constructed by the West to better help the West define itself. In this sense, Africa and Africans have functioned