“Re-verseing Space/Creating Norma(lcy)” essay by Daniel Swenson

Re-verseing Space/Creating Norma(lcy) essay by Daniel Swenson   The 1950s exist in a space of contemporary thought that is stagnant and unchanging in time. The popular American images of poodle skirts, brylcreem, plastic bracelets and aviators reinforce and reward an image of gleaming surface. Heteropatriarchal gender roles were not just mere scripts that people noted

“Keats’s ‘The Eve of St. Agnes:’ A Consumerist Fantasy” essay by Allison Birt

Keats’s “The Eve of St. Agnes”: A Consumerist Fantasy essay by Allison Birt   Nineteenth century London witnessed an exponential increase in the number and variety of shops available to its citizens. Goods from Britain’s growing colonial empire and increasingly sophisticated manufacturing sector filled these shops with ready-made luxury items that were very popular among

“SightSeen” and “TreePower” photos by Stephen Morgan

“SightSeen” Photo by Stephen Morgan f5.6, 13sec, 35mm Location: The Seine River, Paris Commentary Each sightseer’s flash captures one single moment from their bobbing/gliding vantage point to be coveted and exhibited for the envious rubes back home. “TreePower” Double Exposure:  Tree (f11, 1/2000, 50mm), Power-tower (f6.3, 1/500, 35mm) Location: Falmer, East Sussex, UK Commentary Fall

About Our Contributors

Issue 2.1: About Our Contributors Stephanie Airth is a third year English Honours student. Allison Birt is a fourth year student at UBC pursuing a double major in Art History and English Literature. She divides her time between her studies and teaching Pilates and the Franklin Method at the Vancouver Pilates Centre. Allison is interested