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The Garden Statuary

UBC's Undergraduate English Journal

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AuthorThe Garden Statuary

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By : The Garden Statuary April 3, 2025July 14, 2025

BE HERE NOW

Prose by Elaine Nichols

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By : The Garden Statuary April 3, 2025July 14, 2025

Nowhere Man

Prose by Elaine Nichols

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By : The Garden Statuary April 3, 2025July 14, 2025

Monstrous Liminality: The Threat of the Indeterminate Vampire in Le Fanu’s Carmilla

Essay by Natalia Mohar

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By : The Garden Statuary April 3, 2025July 14, 2025

Iphis on E

Prose by Hawthorne Nyberg

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By : The Garden Statuary April 3, 2025July 14, 2025

The Great Long Crawl Towards Wormwood

Poem by Samantha Chan

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By : The Garden Statuary April 3, 2025July 14, 2025

A Haibun for June

Poem by Millicent Sharman

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By : The Garden Statuary April 3, 2025July 14, 2025

The Intricacies of Indian Experience: A Survey of Post-Colonial Commentary through Transpositional Adaptation in Gurinder Chadha’s Bride and Prejudice

Essay by Sim Deol

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By : The Garden Statuary April 3, 2025July 14, 2025

The Feeble Feminine: Cleopatra’s Transformation into a Passive Woman and the Defense of Louise de Kérouaille in John Dryden’s All for Love

Essay by Sim Deol

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By : The Garden Statuary April 3, 2025July 14, 2025

Traversing the Temporal and Celestial Realms: Parentheses as a Device in Milton’s Paradise Lost

Essay by Nicole Sobolewski

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By : The Garden Statuary January 19, 2025July 14, 2025

About the 2024/2025 Team

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By : The Garden Statuary January 12, 2025July 14, 2025

About Issue 14.1 + Authors

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By : The Garden Statuary December 26, 2024July 14, 2025

on change and dimethylsulfoxide

Prose by Sheena Jiang

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By : The Garden Statuary December 26, 2024July 14, 2025

on executive (dys)function

Nonfiction by Sheena Jiang

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By : The Garden Statuary December 26, 2024July 14, 2025

anchor

Poem by Millicent Sharman

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By : The Garden Statuary December 26, 2024April 11, 2025

An Age of Consent: Wor(l)ds to/for This Strange Body

Nonfiction by Olivia McNeill Art by Margaret Xun “But I do feel strange, almost unearthly. I’ll never get used to being alive. It’s always a mystery. Always startled to find I’ve survived.” (Steinbeck 378)  “So now, here, I give you my own text-body-tissue-hymen-map to touch/be touched-by, in the real. Now, here, I give you this

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