A Digital Queer Utopia: Full-Metal Indigiqueer

Essay by Royce Uy Art by Karen Zhang Joshua Whitehead’s poetry collection, Full-Metal Indigiqueer, retells experiences of erotic kinship, internalized trauma, and the haunting against Indigenous peoples to animate a nuanced selfhood of queer Indigeneity: the Indigiqueer. According to Belcourt, discourses of reconciliation are often masculine, silencing queer and feminized voices beneath a dominant focus

Ode to a Recurring Nightmare

Poem by Zoe Shelton Art by Keeley Sieben waking up at regular intervals whether in my  own bed or  someone else’s— yours even. although it confuses me, when at one moment you are screaming at me for having forgotten  to pack our moon shoes because we are leaving for mars within the half-hour, and the

Slowing down and sitting with silence: The limits of graphic witnessing in Footnotes in Gaza

Essay by Tova Gaster Art by Keeley Sieben In 1948, the Zionist military forces destroyed thousands of Palestinian villages, violently and irrevocably fracturing Palestinian society. The Nakba echoes through Palestinian collective memory and contemporary politics through the many displacements which have followed, most of which remain under-reported by Israeli-mediated historical recollection. One such suppressed massacre

“I wanted to write an endless book of time”: Metanarrative and Mortality in Rabih Alameddine’s Koolaids

Essay by Sally Elhennawy Art by Haley Cheng While considering the thematic elements that characterize the literary space occupied by HIV/AIDS writing, it is perhaps just as important to take note of the narrative forms utilized by writers in communicating these themes. The HIV/AIDS epidemic was characterized by a pervasive sense of impending mortality; consequently,

Chocolate Almond

Prose by Nina Sky Robertson Art by Amy Ng It is October and Highway 19 is bordered by blackberries and stinging nettle, both past their prime and beginning to decay in the burgeoning winter.  We work for Glen, a mill subcontractor, burning slash piles that loggers left last winter. Sometimes the piles are huge, the

Ultra Violet Outlook

Poem by Mark Cameron Art by Haley Cheng We are calling for halfmoon sunburns on the bare backs of teenagers with periods of Magnum bars at sundown. The Entertainer will play on repeat, Serving You Since 2011.   Expect an increase in airborne predators. Russian dolls in flight, an iterative dining experience.   Darkness will

The Woman’s Voyeur

Poem by Jenna Conradie Art by Amy Ng I am an atheist, yet I find myself  Searching for right angles in the clouds  Checking to see if that eyelash wish came true  Bargaining to popcorn ceilings when I fall short    I am an atheist, yet I find myself  Preparing to be seen when there’s

Love in Saccharine

Poem by Czarain Laqui Art by Aiza Bragg Feet flat against a dusty floor: a layer of dead skin cells and dog fur — this is Home — but she is empty. Suffocation in all her trinkets whispering maudlin memories; Humid breath, Viscid lips.   Kiss her goodbye before brushing your teeth and welcoming morning.


Poetry and art by Cass Minkus 52 percent of kids In the Canadian foster care system Are Indigenous. Personal interest, princesses with pigtails, Trophies collecting dust. He can’t pronounce my name, He refuses to learn, So instead, he just calls me Indian. Prisoners of a system, That had killed our ancestors before. No longer kept

Co-constitutive Crises: Analyzing Rationality and Rhetorical Narratives of Agency in British Columbia’s COVID-19 Pandemic and Opioid Epidemic

Essay by Grace Payne Art by Karen Zhang According to data gathered by the Government of Canada, 3,002 deaths occurred in British Columbia from April 12, 2020 through April 4, 2022, as a result of the COVID-19 virus (bc.thrive.health stats). Meanwhile data released by the BC Coroners Service indicates that at least 2,224 individuals died

Futility and Frustration in Kindred

Essay by Colby Payne Art by Aiza Bragg In Octavia Butler’s 1979 novel Kindred, protagonist Dana is drawn suddenly into the past, where she must repeatedly save her slave-owning ancestor Rufus to ensure her future survival. In a 1997 interview, Butler stated that her inspiration for Kindred was an interaction with a member of the

new endings.

Poem by Saffah Ibrahimi Art by Haley Cheng She’s sitting across from me, making paper planes out of old homework sheets. She tells me to join her, delicate fingers pressing against the ink of her last sociology final. Did you know we make our first impressions within one-tenth of a second? Did you know I