Recent

Essay by Maya Brown Art by Monica Feng Wade Compton’s speculative collection of stories interrogates Vancouver’s landscape as a violent, historical, and internal site of confrontation. The Outer Harbour, as a collection, illustrates how Vancouver’s coasts serve as a reminder of colonial histories, thereby inhabiting a role as a catalyst of radicalization. Compton depicts this

Essay by Natalia Mohar Art by Linda You When Charlotte Brontë criticized Jane Austen’s ignorance of “the Passions” in an 1850 letter (414), she conveyed more than personal preference. These authors’ differing views on the nature of romantic love indicate that its meaning changes over time, as illuminated by the adaptive relationship between Austen’s 1813

Multimedia by Eva Chaudhary Medium: Oil Paints, Acrylic Paints, Charcoal, Turmeric, Watercolour, Gouache on Canvas, Crayons, Pencil Colours, Graphite, Ink  Size – 40 inch x 54 inch  The work explores the fluidity of personality within a colonized self, a body in flux and in conversation with the natural world. I am drawn to the multiplicity

Prose by Sydney Sanscartier Art by Linda You She wore the dress only once. It still shimmered faintly in the dark, the gold embroidery catching in the fading light, hidden from prying eyes. Folded in cedar and silence, the dress held the memory of a love spoken softly and answered only by distance. Lián Bǎo,