About Our Contributors

Issue 1.2: About Our Contributors Stephanie Airth is a second year student planning on applying to the English honours program in April. She enjoys hiking and collects Edgar Allan Poe books and memorabilia. Genevieve Barrons is a fifth year student double majoring in International Relations and English Honours. She wrote her honours thesis on the

About Issue 1.2

About Issue 1.2 .        It’s been another great term for The Garden Statuary and again we were delighted, awed and challenged by our peers’ submissions. From the 55 poems, 23 prose, 48 multimedia and 29 academic pieces we received, it was no easy feat to choose the final selections that you see here. .        In

“Her Father’s Daughter: Locating the Maternal in Shakespeare’s King Lear” – essay by Chelsea Pratt

Her Father’s Daughter: Locating the Maternal in Shakespeare’s King Lear essay by Chelsea Pratt .             Opening with a jocular account of extramarital pregnancy, the language of female reproduction permeates the whole of King Lear.  Despite these linguistic invocations, the maternal body remains physically absent on stage: the princesses’ mother has passed away before the action

“Baby, It’s Biological: Incest as the Human Circulatory System in ‘Tis Pity She’s a Whore” – essay by MacKenzie Walker

Baby, It’s Biological: Incest as the Human Circulatory System in ‘Tis Pity She’s a Whore essay by MacKenzie Walker .        John Ford’s Tis a Pity She’s a Whore (1633) is a very bloody production. Scholars conclude that Ford uses the flow and restriction of blood to illustrate his premise that incest is the most appealing