“Keats’s ‘The Eve of St. Agnes:’ A Consumerist Fantasy” essay by Allison Birt

Keats’s “The Eve of St. Agnes”: A Consumerist Fantasy essay by Allison Birt   Nineteenth century London witnessed an exponential increase in the number and variety of shops available to its citizens. Goods from Britain’s growing colonial empire and increasingly sophisticated manufacturing sector filled these shops with ready-made luxury items that were very popular among

“What the Dead Know” essay by Chelsea Pratt

What the Dead Know: Political and Personal Corpses in Orwell’s Nineteen Eighty-Four essay by Chelsea Pratt .       Seeping ulcers, naked bodies, tortured forms: as intellectual as George Orwell’s Nineteen Eighty-Four might seem, it also draws heavily on the corporeal aspects of human existence. In fact, the individual body often serves to emblematize Oceania itself: the

“Her Father’s Daughter: Locating the Maternal in Shakespeare’s King Lear” – essay by Chelsea Pratt

Her Father’s Daughter: Locating the Maternal in Shakespeare’s King Lear essay by Chelsea Pratt .             Opening with a jocular account of extramarital pregnancy, the language of female reproduction permeates the whole of King Lear.  Despite these linguistic invocations, the maternal body remains physically absent on stage: the princesses’ mother has passed away before the action

“Baby, It’s Biological: Incest as the Human Circulatory System in ‘Tis Pity She’s a Whore” – essay by MacKenzie Walker

Baby, It’s Biological: Incest as the Human Circulatory System in ‘Tis Pity She’s a Whore essay by MacKenzie Walker .        John Ford’s Tis a Pity She’s a Whore (1633) is a very bloody production. Scholars conclude that Ford uses the flow and restriction of blood to illustrate his premise that incest is the most appealing