“The Pharmakon and Narratives of Cultural Identity: Reading Derrida in Lowe” academic essay by Kai Ying Chieh

The Pharmakon and Narratives of Cultural Identity: Reading Derrida in Lowe academic essay by Kai Ying Chieh Lisa Lowe’s account of the relationship between the system of transnational capitalism and the intersecting subjective narratives of Asian immigrant and Asian American women labouring within this system works in a critical tradition that values plurality and ambiguity.

“First World Problems: The Evolution, Ethics and Repurposing of a Cultural Meme” academic essay by Sierra Terhoch

First World Problems: The Evolution, Ethics and Repurposing of a Cultural Meme academic essay by Sierra Terhoch Internet memes can be described as “small units of culture” that are passed from “person to person by copying or imitation” (Shifman and Thelwall 2567). Often in the form of images, videos, or websites that are diffused to

““What a beautiful day for an Eschaton”: Game Logic and the Short-Circuit of Meaning” academic essay by Rob Patterson

  “What a beautiful day for an Eschaton”: Game Logic and the Short-Circuit of Meaning academic essay by Rob Patterson On a snow-filled Interdependence Day, the final foreseeable round of Enfield Tennis Academy’s homegrown game Eschaton is played. It is by far the most complicated and descriptively dense game within the text, which is notable

“A Stasis in Motion: Wordsworth’s Poetics” academic essay by Reuben Jentink

A Stasis in Motion: Wordsworth’s Poetics academic essay by Reuben Jentink William Wordsworth’s “The Complaint of a Forsaken Indian Woman” is “concerned with the variations” (Simpson xi) in perspectival positionality. For David Simpson, “it is the mind that sees, not the eye” (xi). The forsaken woman’s “perspectival” death-song is a dialectic between, on the one

“”Small, fierce, and restless eyes”: Stereotype and Hybridity in Thomas De Quincey’s Confessions of an English Opium-Eater” academic essay by Kelly O’Connor

“Small, fierce, and restless eyes”: Stereotype and Hybridity in Thomas De Quincey’s Confessions of an English Opium-Eater academic essay by Kelly O’Connor “Thou hast the keys of Paradise, oh, just, subtle, and mighty opium!” exclaims Thomas De Quincey as he concludes the chapter on “The Pleasures of Opium” in Confessions of an English Opium-Eater (55).

“Humanity as History, Not Science” academic essay by Ainslie Fowler

Humanity as History, Not Science: The Reconstruction of Culture through Crake’s Misanthropy in Margaret Atwood’s Oryx and Crake essay by Ainslie Fowler   Margaret Atwood’s novel Oryx and Crake oscillates between the post-apocalyptic world of Snowman and the Crakers and the disparate communities of the Compounds and the Pleeblands. Atwood’s pre-apocalyptic setting is an extreme

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“Keats’s ‘The Eve of St. Agnes:’ A Consumerist Fantasy” essay by Allison Birt

Keats’s “The Eve of St. Agnes”: A Consumerist Fantasy essay by Allison Birt   Nineteenth century London witnessed an exponential increase in the number and variety of shops available to its citizens. Goods from Britain’s growing colonial empire and increasingly sophisticated manufacturing sector filled these shops with ready-made luxury items that were very popular among

“What the Dead Know” essay by Chelsea Pratt

What the Dead Know: Political and Personal Corpses in Orwell’s Nineteen Eighty-Four essay by Chelsea Pratt .       Seeping ulcers, naked bodies, tortured forms: as intellectual as George Orwell’s Nineteen Eighty-Four might seem, it also draws heavily on the corporeal aspects of human existence. In fact, the individual body often serves to emblematize Oceania itself: the

“Her Father’s Daughter: Locating the Maternal in Shakespeare’s King Lear” – essay by Chelsea Pratt

Her Father’s Daughter: Locating the Maternal in Shakespeare’s King Lear essay by Chelsea Pratt .             Opening with a jocular account of extramarital pregnancy, the language of female reproduction permeates the whole of King Lear.  Despite these linguistic invocations, the maternal body remains physically absent on stage: the princesses’ mother has passed away before the action