“When Tongues Replace Swords: Somatic Transgression and Its Shifting Performance in Early Modern Revenge Tragedy” By Ana Maria Fernandez

The early modern tragic stage added to its cast of players the unruly member of the tongue. Thomas Kyd’s The Spanish Tragedy, William Shakespeare’s Hamlet, and Thomas Middleton’s The Revenger’s Tragedy all dramatize the tongue’s power to transgress the boundaries of the body and interfere with bodily integrity […]